Showing posts with label Elvis on Tour. Show all posts
Showing posts with label Elvis on Tour. Show all posts

Thursday, August 5, 2010

Interview with Jerry Schilling; Producer, Music Industry Professional, and Friend of Elvis


Written by General Jabbo

Jerry Schilling first met Elvis Presley when Presley was a mere 19 years old and a mostly unknown singer. While Schilling was only 12 at the time, the two hit it off and formed a 23-year friendship that lasted until Presley’s death in 1977. During this period, Schilling traveled with Presley, lived with him, acted as a stunt double in Charro! and worked creatively with him on such projects as Elvis On Tour. Not wanting to be known just as an “Elvis man,” Schilling got into film editing and served as the Executive in Charge of Talent on the 10-hour The History Of Rock ‘n’ Roll documentary. He also got into management, serving as a tour manager for Billy Joel and as a personal manager for the likes of the Beach Boys and Jerry Lee Lewis. Suffice to say, Jerry Schilling has led a very interesting life.

I spoke with him about Elvis’ 75th birthday, the DVD/Blu-Ray release of Elvis On Tour that recently played in 460 theaters across the country and about Schilling’s life in music. This is what he had to say.


What was your role in the original version of Elvis on Tour?

I was on tour with Elvis and by the time we did Elvis On Tour, I had enough knowledge of film editing that (directors) Bob (Abel) and Pierre (Adidge) hired me. I worked with the producers for a year. I’m in the footage. I got to work with him (Presley) on a creative level, which was a great thing for him and for me. It’s one of the first movies after Woodstock with multi-panel images. It was a really great experience working with young filmmakers, Marty Scorsese (Scorsese supervised a montage sequence in the film) and the directors. It is the best insight on film into Elvis that there is.

Why was “Johnny B Goode” replaced in the opening sequence by Don’t Be Cruel?

It simply came down to the fact that nobody was able to get a hold of Chuck Berry or his representatives. It wasn’t the price — we were never given a price. Chuck Berry is a very smart man. He kept his publishing from the beginning.

Did you ever think when you first met Elvis that you’d still be talking about him in 2010? What was that meeting like?

I don’t think either of us did! I was a big fan of James Dean and Brando and Elvis had that sense about him that you wanted to know him.

Will you be involved in any of the "Elvis 75" celebrations?

On August 15, Elvis On Tour is gonna have a European premiere in Brussels, and I’ll be a guest speaker. He has worldwide appeal, not just America. I find the further away you get, the more intense are the fans.

What was a day in the life of Jerry Schilling like when you were working for Elvis?

I was friends with him for 23 years and I worked and lived and traveled with him for 10 years of that. There were times when you were really busy and then there was quiet time.

How did you get into managing Billy Joel and the Beach Boys?

Elvis had a promoter, Tommy Hewlett with Concerts West and I asked Tom if he could help me and he mentioned this lady in New York who asked a bunch of questions, basically to see if I’d have trouble working for a woman. I went out to Colorado to meet his band. He was recording the Turnstiles album. We were in Detroit opening for the Beach Boys and that’s how I met the Beach Boys tour manager. I was their manager for 10 years, from 76 to 86. After 82, it was co-managed. I worked out their deal at CBS records. I also managed Jerry Lee Lewis at this time.

Elvis On Tour is part of the Elvis 75th Anniversary DVD Collection.

Article first published as Interview: Jerry Schilling; Producer, Music Industry Professional, and Friend of Elvis on Blogcritics.

Tuesday, August 3, 2010

Elvis On Tour DVD Review


Written by General Jabbo

In 1972, Elvis Presley was still riding high from the commercial and critical rebirth that started with the ’68 Comeback Special and continued with his return to live performances the following year. His previous documentary, Elvis: That’s The Way It Is was a success, showing the King at the height of his physical and vocal ability. Hoping to recapture some of that magic, directors Robert Abel and Pierre Adidge followed Presley on his 15 cities in 15 nights 1972 tour, the results of which became Presley’s 33rd and final film, Elvis On Tour. Long out of print on VHS, it makes its DVD and Blu-ray debut with this release.

Not just a concert performance, Elvis On Tour gives a behind-the-scenes look at Presley’s tour with plenty of backstage moments. We see Presley just before he hits the stage, candid moments with the Memphis Mafia in his limousine, studio footage and footage of Presley and his band singing gospel songs on their off hours. A true highlight comes when Presley leads them through a rendition of “I, John.” Gospel music moved Presley and it shows in these scenes.

There are also a number of complete live performances, filmed in Hampton, VA; Greensboro, NC; and San Antonio, TX including the first-ever performance of Presley’s last U.S. top-10 hit, “Burning Love.” The song is so new that Presley reads the lyrics off a sheet of paper while he sings, but the performance is dynamic. Other highlights include a rocking “Polk Salad Annie,” powerful versions of “Bridge Over Troubled Water and “An American Trilogy” and a fine version of “Funny How Time Slips Away” that is made ever more poignant as Presley would be gone just five years later. Elvis On Tour also features a career-retrospective montage supervised by Martin Scorsese and the middle of “Love Me Tender” is intercut with love scenes from Presley’s movies.

Keen fans may notice the intro to the movie is different and that’s because Chuck Berry’s classic, “Johnny B. Goode” has been replaced by ‘Don’t be Cruel.” Seems Presley’s people could not get a hold of Berry’s people and they were unable to get the licensing for the song. As “Don’t be Cruel” is shorter, one section of the lyrics had to be repeated, making for a clumsy intro. Still, some movie is better than no movie. The DVD is also included as part of the Elvis: 75th Anniversary DVD Collection, while the Blu-ray is in the Blu-ray book format, featuring 40 pages of photos, quotes, biography, and set lists for the shows filmed.

While both discs feature remastered video and audio (The standard DVD has Dolby Digital 5.1 while the Blu-ray has DTS-HD Master Audio 5.1 Surround) the content is identical. The picture and the sound quality are fantastic, especially on the Blu-ray, but there are no extras included on either version. This will be disappointing news to Presley fans, many of who are aware a plethora of footage for these shows exists. There would have been plenty of room on either disc (the Blu-ray especially) to include commentary, cut scenes, behind the scenes footage or even the new 20 minutes of footage shot for the recent theatrical rerelease. Instead, all fans were treated to was a bare bones version of the film. The film itself is great — something any Presley fan would do well to have in his or her collection — but for such a big release, the presentation disappoints.

Article first published as DVD Review: Elvis on Tour on Blogcritics.